Paul Yang — Industrial Designer

Product, computational and spatial design developed through research, prototyping, digital fabrication and critical making.

Selected projects

Explo.11探索十一號

Explo.11 is an inclusive mobility concept for children with limited mobility, developed through occupational therapy research, prototyping and field testing.
Hidden yet ready to bloom

Geologic Assemblies is a kinetic collectible object by Paul Yang and Nicolas Düchs, shaped around natural stone through computational design and digital fabrication.
DARK SIDE OF THE TINI

Dark Side of the Tini is a computational stone object by Paul Yang and Nicolas Düchs, using Grasshopper, centroid analysis and physical prototyping.
2025 INDUSTRIAL DESIGN PORTFOLIO

Paul Yang's 2025 industrial design portfolio presents selected product, mobility, sensory and spatial design work, from research and sketches to final prototypes.
Invisible Senses

Invisible Senses is Paul Yang's product design research into overlooked human perception and sensory interactions that connect people with their environment.
Openess

Openess is a student dormitory concept by Paul Yang and Yu-Yang Huang, using organic curves to organise accessible rooms and shared community spaces.
King of Traffic Cone

the king of Traffic Cone
Pods

This product design project was developed during my third year at university, with the aim of creating a capsule coffee machine that complements a sporty, contemporary home aesthetic. We began by identifying the target environment and analysing the desired user experience and visual appeal. Through this process, we developed a capsule coffee machine that combines fluid forms with a minimalist design language, creating a modern, dynamic, and energetic aesthetic.
Tube Radio

Tube Radio is Paul Yang's industrial design styling study, reinterpreting the classic vacuum-tube radio through form development, 3D modelling and detailing.
Flow Along

This lighting design project was developed during my third year at university. Inspired by the behaviours of marine creatures, particularly how they stir up sediment or change colours in response to their surroundings, I explored how these visual interactions could be translated into lighting design. The aim was to recreate these dynamic visual effects through a bedside or ambient lamp, bringing the fascinating interactions between marine life and its environment into everyday living spaces.